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One could argue that other digital projects that post diaries and letters of historical significance also violate this right to privacy, but the now-adult women who created these zines are likely to be living, active Internet users whose personal and professional lives could be negatively (or positively) affected by someone else finding their zine online. For example, we have been contacted to remove a last name from our database that was associated with a zine title that the author felt damaged her online falls under “fair use” for nonprofit educational purposes, and because they usually aren’t hindering anyone’s ability to profit from the publication. To further complicate this question, most zines cut, paste, reprint, borrow, steal, and repurpose images and text from other publications, with or without attribution. According to the Copyright Office: “The distinction between ‘fair use’ and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted material does not substitute for obtaining permission.”Privacy- Even though zines are “published” rather than private, like a letter or diary, we have no idea whether 10 Print culture- This argument for maintaining the print and material nature of zines as opposed to creating digital surrogates is perhaps the weakest of these 4 factors, but it is still a point to consider. Zines are created by hand,[link widoczny dla zalogowanych], crafted with paper, scissors, tape,[link widoczny dla zalogowanych], glue,[link widoczny dla zalogowanych], staples. They were meant to be handed from person to person, physically shared. The experience of handling zines in person,[link widoczny dla zalogowanych], turning each page to reveal intimate secrets, funny comics