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d by some wizard or actor whom he met, and whom he thought all-knowing, because he himself was unable to analyse the nature of knowledge and ignorance and imitation.Most true.And so, when we hear persons saying that the tragedians,[link widoczny dla zalogowanych], and Homer, who is at their head, know all the arts and all things human, virtue as well as vice,[link widoczny dla zalogowanych], and divine things too, for that the good poet cannot compose well unless he knows his subject, and that he who has not this knowledge can never be a poet,[link widoczny dla zalogowanych], we ought to consider whether here also there may not be a similar illusion. Perhaps they may have come across imitators and been deceived by them; they may not have remembered when they saw their works that these were but imitations thrice removed from the truth, and could easily be made without any knowledge of the truth, because they are appearances only and not realities? Or, after all, they may be in the right, and poets do really know the things about which they seem to the many to speak so well?The question, he said, should by all means be considered.Now do you suppose that if a person were able to make the original as well as the image,[link widoczny dla zalogowanych], he would seriously devote himself to the image-making branch? Would he allow imitation to be the ruling principle of his life, as if he had nothing higher in him?I should say not.The real artist, who knew what he was imitating, would be interested in realities and not in imitations; and would desire to leave as memorials of himself works many and fair; and, inst
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